Why move "For Sarah" to the first act? What point would there be? The fact of the matter is, it's a slow show-stopper and it's out of place wherever it goes, be it in the first or second act, so you might as well leave it where it has worked successfully.
> Good to read about the Tanz trips to Berlin & Budapest,
> and good to hear Dream Engine ‘aint dead. Also good to see
> that Rinkoff took care of everyone in Budapest, but I
> can’t believe no-one got him pissed, so he would start
> rattling off song titles and gossip!!
>
> On the subject of Tanz going to Holland and Korea, I
> really wish they would consider London already. They
> could/should keep 'Tanz' as the title (thus helping to
> differentiate it from the ‘flop’), and not touch the book.
> Jim could ‘review’ the english lyrics, but no real tweaks,
> other than maybe moving ‘For Sarah’ to the first act.
>
> I think it would succeed, and Tanz and Bat in London at
> the same time, would be really cool!
>
>
> Steve Margoshes updated his site recently and confirmed in
> his biog, that he’s working on Bat Musical and Dream
> Engine.
>
>
> ‘Good Girls Go To Heaven’ written for ‘Streets of Fire’
> and then cut?? The title and some of the lyrics seem to
> fit.
>
>
> Anyone who liked ‘More' Nocturnal Pleasures....I’ve got
> something else cooking in the studio, and will try to post
> in a couple of weeks!
>
>
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