I think For Sarah goes well where it currently is and doesn't need to be changed. One change that should definitely be made is that Totale Finsternis should be restored to the full-length version.
Will
> Why move "For Sarah" to the first act? What point would
> there be? The fact of the matter is, it's a slow
> show-stopper and it's out of place wherever it goes, be it
> in the first or second act, so you might as well leave it
> where it has worked successfully.
>
> > Good to read about the Tanz trips to Berlin & Budapest,
> > and good to hear Dream Engine ‘aint dead. Also good to see
> > that Rinkoff took care of everyone in Budapest, but I
> > can’t believe no-one got him pissed, so he would start
> > rattling off song titles and gossip!!
> >
> > On the subject of Tanz going to Holland and Korea, I
> > really wish they would consider London already. They
> > could/should keep 'Tanz' as the title (thus helping to
> > differentiate it from the ‘flop’), and not touch the book.
> > Jim could ‘review’ the english lyrics, but no real tweaks,
> > other than maybe moving ‘For Sarah’ to the first act.
> >
> > I think it would succeed, and Tanz and Bat in London at
> > the same time, would be really cool!
> >
> >
> > Steve Margoshes updated his site recently and confirmed in
> > his biog, that he’s working on Bat Musical and Dream
> > Engine.
> >
> >
> > ‘Good Girls Go To Heaven’ written for ‘Streets of Fire’
> > and then cut?? The title and some of the lyrics seem to
> > fit.
> >
> >
> > Anyone who liked ‘More' Nocturnal Pleasures....I’ve got
> > something else cooking in the studio, and will try to post
> > in a couple of weeks!
> >
> >
|
